Peace, love & understanding – Nick Lowe in Variety

Nick Lowe is featured in this Variety article after being honoured with the American Association of Independent Music’s Icon Award. A fascinating read from the Cruel to Be Kind songwriter/producer. A remembrance of Johnny Cash, working with Elvis Costello and the history of What’s So Funny About Peace, Love and Understanding…The song is a standard. Whenever I hear people do it now it’s almost like I had nothing to do with it! As for that song, Mr. Lowe opines: “The song is a standard. Whenever I hear people do it now it’s almost like I had nothing to do with it!”

May the Muse stay with you sir…

Juno 2012 Songwriter's Circle

From the Juno Awards site:

JUNO Songwriters’ Circle brings together some of today’s most talented Canadian singer/songwriters, sharing songs and stories on stage. Host Dan Mangan hosted the discussion, perform some of his hit songs and got up-close with audiences in this truly unique setting and not-to-be-missed event.

Participating Artists: Host Dan Mangan will be joined on stage by fellow 2012 JUNO Award nominees David Francey, Kiran Ahluwalia, Lindi Ortega, Max Kerman (Arkells) and Terri Clark.

CBC has a great podcast of the circle and here's part 1... May the Muse be with you as you listen and enjoy great Canadian (unsung) songsters!

Barrel of Monkeys and Photographs – Jim Bryson on Kathleen Edwards

Well, Kathleen Edwards most recent release,  Voyageur, is the darling of critics, rightfully so, with its cathartic songs leading to new beginnings from a dissolved past.  I just wanted to share a quote from an interview by David McPherson in the latest Canadian Musician magazine (January/February 2012 edition).  The quote comes from a fellow Canadian singer-songwriter, Jim Bryson, who contributed to Voyageur via emailing parts and pieces of songs back and forth with Edwards (and is part of Edwards’ touring band and a proud new papa to boot – congrats!):

If Edwards chose not to use one of Bryson’s ideas, he didn’t take it personally. “I know how records work,” says the seasoned songwriter. “It’s like taking photographs. You take 100 and you may only use three of them. If it’s a signature part and you really feel connected to it you can have a discussion, but otherwise, if you are playing on someone else’s record, it’s theirs …at the end of the day, it’s her deal. It’s not like I can throw a barrel of monkeys down the stairs and mic it and expect her to use it.”

Now that’s an image that’s hard to get rid of… hmm… probably a novelty record in that idea… Don’t go calling the SPCA on my… I was only joking… But the lesson is to collaborate with respect for the song’s originator… now that I can work with and may the Muse stay with Kathleen, Jim et al…

Tunited - Social Network for Songsmiths?

Caught this interview of Midge Ure on the Daily Record’s website that deals with his establishment of an online social network for songwriters, music creators…

The site is called… you guessed it… Tunited… (Tunes+United I presume)…  Here’s some of the interview:

A teenage Midge Ure sat - guitar in hand - in his bedroom at his family home in Cambuslang and decided the time had come to write his first pop song.

As he nervously strummed the chords of new composition The Bowie Trilogy, a tribute to his music idol David, he thought, 'This is what I want to do for the rest of my life'. His ambition far outweighed his early ability.

More than 40 years on Midge, 57, laughed: "The song was rubbish. Trouble was, I only had one part. I never got round to writing the other two sections of the track so it didn't turn out to be much of a trilogy.

"I was so passionate about music. I firmly believed I'd be walking home from school and The Beatles would be waiting at my door saying. 'We've sacked John, you're the guy we really want'. I lived in total fantasy land. That was my reality but it was exciting to me."

Midge has been looking back at the origins of his incredible 35-year pop career to coincide with the launch of Tunited, a new online social music network he's developed to help aspiring artists get their first step on the ladder to rock stardom and introduce fans to new music.

Midge spent four years building Tunited from scratch. Its aim is to encourage people to make music and get paid for it - an alien concept in an age of online piracy and free downloading.

Midge said: "Tunited is a DIY onestop shop for aspiring musicians. I've compresssed all the elements you need to make a living as an artist into this site.

"I've opened the door to everybody who wants to have a crack at making music or listen to new music.  The cost implications of going into a studio and making a record just aren't there any more. We give you software good enough to make an album in your bedroom and a business pack showing you how to sell it.

"You can press up 1000 singles or just 25 copies to give to your mates. We also arrange gig swaps where a band in Newcastle can invite a band in Glasgow to support them and vice versa.

"You also get 100 per cent profits from songs which are downloaded. The artists all get paid - it might not be an awful lot but on other sites you don't see a penny for your music. The quality of the work by new acts on Tunited has blown me away."

He said: "Today, if The Beatles were a new band and knocked on the door of a major record company or radio station with the Sergeant Pepper album the response would be, 'Thanks but no thanks'. They wouldn't fit the bill of what the industry deems hip and trendy.

"It doesn't take a genius to work out that if 100,000 people turn up for an X Factor audition and only two are chosen that's an awful lot of other people who'd like to have a crack at making music.

"It all comes down to whether you fit the demographic. If you don't look right - if you're too old, too thin or too fat, whatever - you're going to be excluded, not given the opportunity to show what you can do.

"Tunited is saying, if you've got a skill - whether it's singing, songwriting or as a musician - barter that skill. There is talent out there and we'll give it a platform.

"Tunited is saying it's time we did the job ourselves. If you've got the desire to do it have a crack at it, the tools are there."

Wow!  Very interesting concept… Best of luck Midge and may the Muse be with all Tunited users…  Look for me there…

Related articles

• Behind the music: Will Tunited bring artists and fans together? (guardian.co.uk)

Going Platinum on Bravo!

Former American Idol judge and music publisher/songwriter Kara DioGuardi and singer-songwriter Jewel will co-host a new show on Bravo titled Going Platinum.  The ten-episode reality competition is currently in production and is slated to premiere in 2011.

The program will focus on singer-songwriters as they write their own songs. It will feature 12 musicians competing in songwriting challenges - from dance tracks to love ballads. The winner will receive a $100,000 cash prize, a publishing deal and a recording deal with RCA/Jive. 

Said Jewel, "I am excited to be a part of this show because as a songwriter, I understand the dedication and struggle these musicians are going through." She added, "This series will showcase the passion, talent and determination it requires to become a hit songwriter, and in the end we will find the next big music star.”

"Hit songs are the backbone of the music industry, and as a publisher, nothing excites me more than finding new songwriting talent," DioGuardi said in a statement released by Bravo. "I am happy to be a part of a show that helps up and coming songwriters pursue their dreams, while giving the public a look into the creative process."

Related articles

• Former 'American Idol' Judge Kara DioGuardi Lands New Show (mtv.com)

Elvis Costello – National Ransom

Image via Wikipedia

Elvis Costello has a new CD out today – National Ransom.  The almost-Canuck discussed his songwriting in a QMI interview in our local freebie 24 hours newspaper in Toronto today, with a little snippet as follows:

Q: You’ve remained very prolific at an age when many songwriters lose touch with the muse. What’s your secret?

A: I suppose people would give you different views of whether I was connected with it or not, depending on how much they like my last recording – or my last 12 recordings. (Laughs)  I love people telling me how great my early records were, when they were mostly roundly ignored.  But I never really have done anything out of routine.  And I sort of feel I can do it with much more freedom because I have access to a lot of different music and different techniques.

Yes, the Muse remains with Elvis… and may the Muse be with you…

Related articles

• Elvis Costello Previews 'National Ransom' at New York Radio Station (spinner.com)

Juno Awards Adds Electronic Music Category

Canada’s Juno Awards has added an electronic music category for next years awards… and the site is open for submissions now…

If only I could compose an Electronic Album, then maybe I could have a shot at a Juno… NOT!  Of course, I’m dating myself but I start thinking of Kraftwerk and Vangelis… I’m sure I’ll be listening for the nominees in this category and learning a few things… why have all these toys with Reaper and VSTs and such if I don’t open my mind to other kinds of music and songwriting… hmm… a side project I guess…

Here’s the category as outlined by the Juno Awards:

The new category is defined as album-length original recordings composed with electronic equipment as the essential songwriting tools and defined by their electronic elements. Musical genres and respective subgenres such as (but not limited to) techno, house, electro, trance, drum’n’bass, dubstep, grime, electro-acoustic, turntablism, sample-based music, ambient and downtempo are eligible for this category.

Well, may the Muse be with you electronic mixers…

Related articles

• Juno Awards add electronic album category (ctv.ca)

Brian Wilson as Songwriter – Upcoming Documentary

On November 23, 2010, Songwriter 1962 – 1969: Exploring Brian's Music in a Decade of Dreams will be released online.  The film is a 3-hour 2-DVD collection that examines Wilson's time writing and recording with the Beach Boys in the 1960s. It also includes many rare and classic live performances, studio footage and archival interviews and photos, as well as discussions with fellow Beach Boys, studio technicians and a variety of other people close to Wilson at the time.

From the distributor’s website: 

Brian Wilson Songwriter 1962 - 1969 is a documentary film in which the rich tapestry of music written and produced by this brilliant 20th century composer is investigated and reviewed. With the main feature running at over three hours in length across two discs, the songs Brian wrote for and recorded with The Beach Boys during the 1960s are here re-assessed to quite startling effect. FEATURES INCLUDE - •Historical musical performances and rare and classic recordings re-assessed by a panel of esteemed experts •Obscure footage, rare archive interviews and seldom seen photographs •Exclusive contributions from fellow Beach Boys, Bruce Johnston and David Marks; Wrecking Crew musicians Carol Kaye and Hal Blaine; friend and Beach Boys manager Fred Vail; producers Russ Titelman and Bill Halverson; Wilson family friends Billy Hinsche and Danny Hutton, biographers Peter Ames Carlin and Domenic Priore and many others •Live and studio recordings of many Brian Wilson classics

May the Muse be with you Brian… check out the video clip below…

Related articles

• Brian Wilson: Songwriter 1962-1969 Out On DVD 11/23 (jambase.com)

John Lennon Songwriting Exhibit opens at Grammy Museum

On October 9, 2010, on what would have been his 70th birthday, visitors to the Grammy Museum were also able to view the new John Lennon exhibit called 'Songwriter' which opened on October 4.

The Exhibit features many items donated by Yoko Ono Lennon. Yoko comments in the Exhibit about Lennon’s songwriting stating that: "in his songs, he was really real, he believed in truth." Ono continues that ideas for songs would come to Lennon at unexpected times and he would be writing down lyrics while they were on airplanes.

The exhibit occupies part of the 4th floor of the museum and showcases many original handwritten lyrics for songs like "Happy Xmas (War is Over)" and "Working Class Hero". Items on display range from Lennon's Beatles days like his Sgt. Pepper jacket from 1967 to a harmonica and a collarless suit from 1963 that John can be seen wearing on the 45 picture sleeve of "I Saw Her Standing There."

At the end of the exhibit is a special white room, in true John and Yoko style, showcasing a large video screen with John performing 'Imagine' and other songs. There is also an interactive wall inviting people to add their thoughts to the phrase "Imagine a world..."

Click on the link for more information on the Grammy Museum, and may the Muse be with you… Ci vedimes…

Tom Waits – Nominee for Rock & Roll Hall of Fame 2011

From the info page at the Rock & Roll Hall of Fame inductee page for Tom Waits:

Only one songwriter could be covered by the Ramones (“I Don’t Want to Grow Up”) and the Eagles  (“Old 55”).  Beginning with his first album in 1973, Tom Waits has carved out a unique place in rock & roll.  His music mixes Chicago blues, parlour ballads, beat poetry, pulp fiction parlance and – when you least expected it – heart-breaking tenderness.  His enormously influential live shows combine elements of German cabaret, vaudeville and roadhouse rock.  After establishing a successful early style as a wry singer-songwriter, Waits went through a dramatic expansion with Swordfishtrombones  (1983). Disregarding musical borders and commercial considerations, he set off in wild pursuit of the Muse.  Waits has composed film scores, musical theatre and an operetta. He has co-written with Keith Richards and William Burroughs.  His songs have been covered by Screamin’ Jay Hawkins, Solomon Burke, Marianne Faithful, the Neville Brothers, Robert Plant and Alison Krauss and the Blind Boys of Alabama. He has recorded with the Rolling Stones, Bonnie Raitt, the Replacements and Roy Orbison.   A tribute to his great influence is how many of his songs have been recorded by artists who usually write their own – including Bruce Springsteen (“Jersey Girl”), Tim Buckley (“Martha”), Johnny Cash (“Down By the Train”), Bob Seger (“16 Shells from a Thirty-Ought Six”), T-Bone Burnett (“Time”), Tori Amos (“Time”), Steve Earle (“Way Down In The Hole”), Elvis Costello (“Innocent When You Dream”) and Rod Stewart (“Downtown Train”). 

The Muse has been with Tom for a long time now… He is certainly deserving of this honour and if he doesn’t get in, something’s very wrong with the world…

What A Tale My Thoughts Could Tell…

Press Release:

On Thursday, October 21, 2010, two of Canada's most celebrated songwriters, Ian Tyson and Jim Cuddy, will be live in performance and in conversation for the second episode of the innovative new master series, “If You Could Read My Mind” created by the Canadian Songwriters Hall of Fame.

Through conversation and music “If You Could Read My Mind” contemplates the continuation of the Lightfoot lyric, "what a tale my thoughts could tell" and digs deep to unearth why Canada is such a hot bed for songwriting talent. The series got off to a phenomenal start this past February with its inaugural sold-out show, featuring the Canadian legends Gordon Lightfoot and Gord Downie.

Hosted by CBC Radio's Laurie Brown, the October 21st event will also feature emerging Canadian artist Wayne Petti from Cuff The Duke, who will bring his unique blend of alt-country singing-songwriting to the stage for a special performance.

Don’t miss this unique opportunity to see Jim Cuddy and Ian Tyson in an intimate setting at the world class, acoustically spectacular George Weston Recital Hall at the Toronto Centre for the Arts. Contact TicketMaster today!

"If You Could Read My Mind" featuring Ian Tyson & Jim Cuddy
Thursday, October 21, 2010 - Showtime 8:00 p.m.
The George Weston Recital Hall, Toronto Centre of the Arts, 5040 Yonge Street
Tickets: $30, $40, $50 - On Sale Now
Available on TicketMaster.com or by calling 416-872-1111.
www.cansong.ca

ECHO Songwriting Prize

Vote now for SOCAN's fifth annual ECHO Songwriting Prize

SOCAN has launched the fifth annual ECHO Songwriting Prize, designed to identify what's next and what's best in current Canadian independent music. This prize will honour some of the most innovative and artistic songs created in the past year by emerging songwriters in Canada. The writer(s) of the winning song will receive a $5,000 CDN cash prize.

The five nominated Canadian songs, as selected through a rigorous process by an independent panel of 10 music community tastemakers, are:

• “Albatross” written by Olga Goreas, Kevin Laing, Jace Lasek and Richard White, performed by The Besnard Lakes
• “Celestica” written by Ethan Kath and Alice Glass, performed by Crystal Castles
• “Destroyer” written by Catherine McCandless and Stephen Ramsay, performed by Young Galaxy
• “Hearts Trompet” written by Edo Van Breeman, Bryan Davies, Richard Saul and John Walsh, performed by Brasstronaut
• “Odessa” written by Dan Snaith, performed by Caribou

SOCAN invites you to listen and vote for your favourite song, up until the deadline of September 30, 2010. One lucky voter will win an Epiphone Ultra II Les Paul electric guitar.

May the Muse be with you…

Songwriting Strategies

Tom Slatter of Indiesongwriter.net is putting together a series of “songwriting strategy podcasts”.  Episode One was delivered by Tom himself and dealt with key changes, while Episode Two covered Nadia Cripps’ process to compose a new piano instrumental in one of her songs.

Check out the Songwriting Strategies podcasts and may the Muse be with you…

Lennon Letter to Folk Singer

John Lennon wrote a letter to calm a folk singer who once complained that success and wealth could ruin his songwriting, the musician has revealed.

Steve Tilston was just 21 in 1971 when the star read the interview he had done with now defunct ZigZag magazine.

In the hand-written letter, now revealed for the first time, Lennon told the young musician not to worry about becoming wealthy because it would not change what he felt inside.

Here are the words of wisdom in his own handwriting:

The Muse stay with you John… 70th anniversary of his birth in just one month from today…

Insider Secrets to Great Songwriting

For over 25 years, Diane Warren has written top ten hits for some of the greatest voices in the recording industry. She reveals her secrets to great songwriting. And Jack Perricone, chair of the songwriting department at the Berklee College of Music, talks about songwriting across musical genres.

You can listen to the NPR Talk of the Nation program from earlier this week right here:

Drake’s Songwriting Tip: Use a BlackBerry

 

Image by Getty Images via @daylife

Maybe it’s conducive to his rap style of music, but Toronto-born artist/musician/songwriter/actor, Drake, uses his BlackBerry to write his raps:

In this clip from the upcoming doc, Drake bops to the track Kanye West produced for "Show Me a Good Time" and then picks up a BlackBerry and starts punching out some rhymes.

"All Drake's raps for eternity have been written inside of a Blackberry," producer and engineer Noah "40" Shebib says in the clip. "I mean, to the point where if he doesn't have a BlackBerry, we gotta go get somebody who's got one. I've had dummy BlackBerrys around that I just pull out for him to write on, like if he needs one ... that don't actually even work!"

Drake cops to his need for a BlackBerry when working on his lyrics. "I can't write my raps on paper," Drake says. "The BlackBerry keys — my thumbs were made for touching them." The clip wraps up with Drizzy in the booth recording and referencing his lyrics on his trusty smartphone.

Hey, whatever works for you, I say… May the Muse be with him… I’m sure we’re going to see iPad and Android apps for songwriters at some point… (rhyming dictionaries and tab/chord software… hmmm, maybe I should get on that…)

Recent Songwriters Hall of Fame Gala

Last weekend, singer Phil Collins received the prestigious Johnny Mercer Award at the Songwriters Hall of Fame gala.  The singer, who has sold over 100 million records as a solo artist and with the band Genesis, said writing a popular track is "a complete accident".

This year's inducted songwriters included Leonard Cohen, Jackie DeShannon, David Foster, and R&B band Earth Wind and Fire.  Singer Taylor Swift received the Hal David starlight award.  The link above has all the awards and inductees for 2010.

Speaking on the red carpet, Collins said: "For a songwriter, it's a huge honour. I was very surprised when I got the news."  The musician revealed that when organizers contacted him about the award, he had originally assumed he would have been presenting it, instead of receiving it. "That's something that I never thought I'd be qualified to get, I still don't think I'm qualified to get," he said.  The award is the second major honour this year for the 59-year-old, who was inducted into the Rock and Roll Hall of Fame in March.

Phil Ramone was given the hitmakers award, which is given to songwriters who have written a number of hit songs over an extended period.  Billy Joel, who cited the producer as a major influence on his music, presented Ramone with his trophy at the ceremony in New York.

Paul Simon's Bridge Over Troubled Water was also honoured to commemorate its 40th anniversary.

May the Muse stay with all the worthy inductees…

Rush As Songwriters – Jacob Moon Tribute

Well Rush was inducted into the Canadian Songwriters Hall of Fame on Saturday, March 28, 2010.  From an article in Monday’s Toronto Sun, Neil Peart discusses the song Subdivisions:

“It’s a very unusual song construction lyrically and musically that we managed to make work,” [Peart] said. “It was written at a time when we weren’t working, so to speak. We were mixing a live album and we just started playing around and wrote a song for fun. Although it’s very serious in it’s musical structure, one of the most complicated actually that we’ve had in terms of arrangement drum part alone, it’s a really intricate drum part to play and consequently I still love playing it almost 30 years later and that’s a good testament.”

Peart is also stoked that YouTube sensation Jacob Moon, who plays Subdivisions entirely by himself on a Hamilton building rooftop, is among three artists paying tribute to Rush Sunday night.

“We all shared Jacob Moon’s performance of Subdivisions quite a long time ago and sent it to each other, 'Hey have you seen this?' because it’s such a beautiful cover. The imaginative way that he uses the little cassette player to get my voice in there. It’s superb. And it is that kind of song. It’s a singer-songwriter’s song. I loved to see his version of it and I loved the idea that song has endured to his generation.”

And here is the YouTube video… May the Muse be with you Neil, Rush and Jacob:

World Leader/Songwriter

Indonesian President Susilo Bambang Yudhoyono’s love of music was publicly acknowledged by Australia’s prime minister on March 17, 2010, after he was presented with a handmade guitar during his three-day visit to the Australia.
 
Prime Minister Kevin Rudd said he hoped Yudhoyono, who has a well-known penchant for singing and songwriting, would enjoy the Australian-made Maton acoustic guitar. 

Yudhoyono, who recently released his third album, “Ku Yakin Sampai di Sana” (“I’m Certain I’ll Get There”), featuring songs he had written performed by prominent Indonesian singers, accepted the gift with a smile.

I’d like to accept free guitars too… but I’ll settle for a Muse to guide me…

Ryan Bingham – Oscar For “The Weary Kind”

“Crazy Heart’s” Ryan Bingham continued to add to his awards season cache with his first Oscar for “The Weary Kind (Theme From ‘Crazy Heart’).” Backstage, where he addressed the press without fellow songwriter T Bone Burnett — who wasn’t feeling well and returned to his seat — Bingham said he has come a long way from living in a Suburban four years ago. Asked if writing sad music would be challenging now that he’s married, Bingham noted that the past is always with him. “We have stuff from the past that is always there. Songwriting is venting and getting the past off my chest.” Bingham also noted that co-star Colin Farrell originally performed the song with an Irish accent. “We were all rooting for him to be an Irish country singer in the movie, but it didn’t work out,” he said.

Enjoy the YouTube video below with Ryan’s performance… and may the Muse be with him (‘cos Oscar is…)