Found this article in the digital edition of the National Post yesterday and thought I'd share it with you all. k.d. lang has a new collection of songs out called watershed. In the article, she describes a writer's block due to 9/11 and her overcoming it due to a new love... in other words, she found her muse...Why this lady is smilingAfter 9/11, she questioned the need for art and love songs.
A change of heart has k.d. lang singing a new tuneNational Post (sgovani@nationalpost.com)
Not heard much about k.d. lang lately? Well, what would you like to know?
That she lives in Rock Hudson’s old house? That she’s a bang-up Buddhist? That so bad is the torch singer’s writer’s block that she actually named her song publishing company — wait for it — Pulling Teeth?
Fortunately, k.d’s latest extraction stopped long enough for her to give us another primo work of new material. It’s called Watershed, and it’s out next week. And they say it’s less of a coming-out than it is a coming-of-age.
Eight years it’s been since the Canadian’s last album of original compositions, and she blames at least part of the “block” on 9/11. The terrorist attacks, she told The Scotsman, “turned the atmosphere in America — politically, emotionally and artistically — on its ear. Afterwards I couldn’t write love songs. They just seemed so frivolous.”
What snapped her out of it? Well, that oldest of artistic incentives: a new lady love. I saw them together — k.d. and the woman she calls her wife — back in November, at the party in Las Angeles I attended for the Louis Vuittonsponsored Murakami museum exhibition. She was, as far as reductionist categoryboxing goes, a “lipstick lesbian.” Or at least more of a lipstick lesbian than our k.d. is likely to ever be. She also smiled a lot.
The constantly craving chanteuse described her this way recently to London’s The Times: “She is very honest with me, very mature and intelligent; incredibly honest in refining my best attributes and curbing my less attractive ones.”
Oh, and the other thing: Though k.d. was once the very apotheosis of gaydom, out long before George Michael or R.E.M.’s Michael Stipe, she’s over playing the poster-gal. To wit, this quote in the Times article: “It’s crazy for the gay community to let itself be defined by its sexual preferences.”Ms. Lang, by the way, plays the Courthouse in Toronto on Feb. 21.
The song, it could be argued, is the single aspect of culture in which everybody participates- we all sing at some point, and enjoy our favourite songs. It's perhaps the combination of simple tune and words that makes a song so memorable. Singing and songwriting is an accessible art form and people have used song to reflect their lives and ideas since time immemorial. Bringing us up to date, musician, writer and journalist, Paul Morley, recently described the pop song as a 'specific 20th century art form'.
With this in mind, Bangor University is announcing a new and unique degree in English with Songwriting to be taught from 2008. This is the only degree in the UK that teaches songwriting in all its aspects: the composition of words and music, the theory, the history, recording technology and business skills. The degree offers both rigorous academic education and practical work. A third of the course will be spent writing and analysing songs, and two-thirds of the time following a traditional literary course covering texts from 1066 to 2008.
"Academics, literary critics, and people in general have for centuries gained pleasure from enjoying and analysing all forms of culture from high art, classical symphonies, from novels and plays to sonnets and haiku to popular culture: story-telling, folk songs and ballads, to contemporary forms such as the soap opera and pop song," said Ian Gregson, poet, literary critic and lecturer at the School of English.
"Songs have formed the inner soundtrack to so many people's lives. We can all relate to songs because they richly represent the changing face of our own culture, and other people's. The song form has undergone radical transformation since the Tin-Pan Alley tunes and 12-bar blues of the 1920s and 30s. The proliferation of forms and styles in the late twentieth century has meant that there has been no better time to study songs and their backgrounds, to contextualize their meanings, and become inspired to write some ourselves," said composer and lecturer, Pwyll ap Sion of the School of Music.
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Well, an advancement in the acceptance of popular songwriting as degree-worthy... May the Muse be with us all - we songwriters who are always students of song...
The 2008 Great Lakes Songwriting Contest is now accepting entries, either through submitted CDs or through Sonicbids. The cost per song entry is $25.00 CDN or US (although now that the Canadian dollar is actually higher than the US dollar at times, that's not such a bargain anymore) and you can find the full rules here.
You can find the list of the 2007 judges here. They included Toronto's Jodi Krangle from Muses Muse (one of my favourite songwriting website resources) and folk band Urban Tapestry, Detroit funkster Nadir of the band Distorted Soul, and Minnesotan Andrea Stolpe, a professional (former staff) songwriter who provides e-learning courses on songwriting on her website. The list of the 2008 judges remains a mystery (until the winners are declared...)
The deadline is April 25, 2008... see you in the Winner's circle :)
Just a short note to say how impressed I was by AMPLUS Productions' Brian Allen's presentation at Revolution Audio on the Music Publishing business.
The website bio linked above names Mr. Allen a "music business instructor" and he certainly has a wealth of knowledge. I obviously can't share 3 hours worth of seminar insights on a blog post other than encourage you to attend a seminar by Brian in person (I think he'll be doing more at Revolution Audio in the future). Besides, I noticed that it was being recorded in digital video format - so who knows, you may be able to buy it someday soon...
This last seminar also ended Revolution Audio's Operation Indie Month. Kudos to Revolution Audio and Jason for putting forth this type of program.
May the Muse be with you...
By Jerry Romansky* - advice columnist at Seacoastonline.com in an article found here. I've done everything that Mr. Romansky talks about, but I haven't received by Grammy nod just yet...
I read a wonderful article on Acoustic Guitar's website. Emmylou Harris, a wonderful singer, musician and song interpreter, discusses her career as a songwriter with the article's writer, Craig Havighurst. You can find the article here, and I've quoted a few parts as well for her pearls of wisdom:
"I've always felt that you shouldn't record a song just because you wrote it," Harris says. "It has to stand up. There's a certain standard, and perhaps that's why I was reluctant for so long to attack songwriting. I knew I could write, but I kept finding songs I loved that were already written, and I suppose I didn't feel the need to write."
"The song is always the most important thing, whether it's somebody else's or you've written it yourself. So I was lucky that I didn't suffer from that feeling of being a second-class citizen," she says. "But whenever I get an idea and it's tapping me on the shoulder saying, 'I need to be written,' then I need to make the time to see if I can follow that horse and see where it leads. They say the best way to catch a horse is to build a fence around it. Sometimes it works and sometimes it doesn't."
"Sometimes you have to just abandon a song and use it for parts," she says. "I worked on a song for years a long time ago and finally abandoned it, but then when I wrote 'The Pearl,' I remembered the line, 'We are not sailors lost out on the sea,' and it worked. The song obviously wasn't meant to be written for ten years. I didn't force it just because it's a good line; you know when you haven't found the rest of the body. I don't think there's anything wrong with keeping these bits and pieces around."
Hi Music Fans,
This year’s 5th Annual Gala honouring Canada’s best songwriters is guaranteed to be another night certain to leave any musical connoisseur impressed.
In addition to host Gregory Charles, audiences will be wowed by Dione Taylor, the Faith Chorale and Oliver Jones who will take to the stage to honour the late Oscar Peterson, while Martha and Rufus Wainwright will perform a rendition of their aunt Anna McGarrigle’s classic Heart Like A Wheel. Suzie McNeil will return to perform her acclaimed rendition of Les Emmerson’s Signs, as first heard at the CSHF Press Concert. Les Respectables will perform a modern version of Raôul Duguay’s La Bittt à Tibi, while Boom Desjardins will honour Claude Dubois with his rendition of Le Labrador. Reunited group Toulouse will honour the late Georges Thurston with a performance of his hit Aimes-tu la vie comme moi?
To reserve your seat to this once-in-a-lifetime event, taking place Saturday, March 1, 2008 at the Toronto Centre for the Arts, visit ticketmaster.ca. Tickets are limited so get them now.
For those of you who are unable to attend the Gala, the show will be broadcast nationally on Sunday, March 2 on CBC Radio Two at 8PM and on Monday, March 3 on CBC Radio One at 2PM and 10PM.
A one-hour presentation of Words to Music: The Canadian Songwriters Hall of Fame will air on CBC Television on Monday, March 3 at 7PM.
Make sure to visit the CanSong.ca store to pick up some great music from this year's inductees and performing artists.
To ensure that you are always up-to-date about the CSHF, make sure to sign up to our official newsletter.
The CSHF Team
Canadian Songwriters Hall of Fame
56 Wellesley Street West, Suite 320
Toronto, ON M5S 2S3
Tel: 416.926.7953/ Fax: 416.926.7958
www.cansong.ca
